Central to everything we do is a vision of ‘Engaged Arts’ in which research-based knowledge and expertise is brought to bear on contemporary cultural, political and business life. By the end of the year I’d worked out where I really wanted to be – working for a contemporary art gallery, nurturing and promoting artists. Which is exactly where I am, thanks to the opportunities that opened up to me while I was researching my dissertation.
This is achieved through an exchange of ideas and practices within and across the disciplines, directly benefitting the wider academic community as well as industry, business and the public. Depending on the programme of study, there may be extra costs that are not covered by tuition fees which students will need to consider when planning their studies. Tuition fees cover the cost of your teaching, assessment and operating University facilities such as the library, access to shared IT equipment and other support services. This module introduces students to the specifics of object analysis, valuation and appraisal within a primary and secondary market context.
- Humans are so much closer to the natural world, so much more an intrinsic part of it, than we care to imagine—rather positioning ourselves as lofty beings overseeing it from above.
- In addition, students will engage with the theories of sensory science and their application to food product development.
- It gave me the chance to survey the art market from lots of different perspectives; we had seminars with auctioneers, art dealers, art consultants, specialist insurance brokers, and the Met’s art and antiques unit, among others.
- This ensures they are in touch with the latest thinking and bring best practice to your studies.
- This Art Business course is delivered by Kingston School of Art, which has its roots in the studio-based approach of Britain’s art school system .
- Central to everything we do is a vision of ‘Engaged Arts’ in which research-based knowledge and expertise is brought to bear on contemporary cultural, political and business life.
As our other study has shown, we are preconditioned to appreciate art; art in the workplace is about more than transforming dull corporate environments. It’s that belief in culture separating us from savages, and an eight-year long, seven country-wide meta-study conducted by University of Toronto researchers offers scientific proof. This is the percentage of final-year students at this university who were “definitely” or “mostly” satisfied with their course.
What Students Say
Many of our world leading researchers can provide consultancy advice on specific topics. Digital tools for new audiences help you develop new strategies to engage visitors using digital technologies. Language Profiling for Professionals provide consultancy and training to improve professional communication. View the full series, ““Schwung”; Critical Curating and Aesthetic Management for Art, Business and Politics”, here. The Longitudinal Educational Outcomes dataset combines HRMC earnings data with student records from the Higher Education Statistics Agency.
The History of the Art Market focuses your understanding of past and present art business practices and changes to the art market over the past 400 years. Object Analysis & Appraisal asks what an object is and which values it contains, also incorporating questions of cultural heritage and globalisation. It focuses on art valuation and appraisal through lively workshops and seminar sessions with both teaching staff, art market professionals as well as examination of study collections. A number of initiatives developed by Creative Scene have involved the team working locally with businesses to create arts activites and events that fit into the concept of making art a part of everyday life. Examples include the ON TOUR programme, which sees pubs and social centres acting as hosts for theatre shows, as well as the [email protected] activity where local businesses host an artist in their organisation to work with staff and customers.
I’d wanted a career change and felt that taking a course was probably the best way in. It gave me the chance to survey the art market from lots of different perspectives; we had seminars with auctioneers, art dealers, art consultants, specialist insurance brokers, and the Met’s art and antiques unit, among others. We had dozens of guest speakers throughout the course, and almost all of them were senior managers, including from amazing organisations like Christie’s, Gagosian and Hauser & Wirth. We have recently expanded and upgraded our workshops, enabling you to work alongside and be inspired by students from other creative disciplines.
Humans are so much closer to the natural world, so much more an intrinsic part of it, than we care to imagine—rather positioning ourselves as lofty beings overseeing it from above. Perhaps that’s why we’re making such a terrible job of coexisting with the environment that supports our very existence.
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Initially I found the presentation side daunting, but it’s amazing how quickly you adjust and start to flourish. There was a wide range of students from different backgrounds on the course, which brought a depth of experience to the classes. The facilities at Kingston were excellent, with tutors available to give as much or as little help as needed or wanted. The Art Business MA is accredited by the Royal Institution of Chartered Surveyors for entry as a probationer practitioner. It is the only RICS-accredited course for antiques and fine art and you can join RICS as a student member when you enrol.
This is usually because there were too few respondents in the data we receive to be able to provide results about the subject at this university. Achievement is recognised through the award of credits, a minimum number of which must be achieved at Level 6. This ensures they are in touch with the latest thinking and bring best practice to your studies. Teaching staff on the course also keep close professional links to the art world and ensure your studies are kept up-to-date and relevant to the changing work environment.